William Gaddis’ s “The Recognitions”

Where to begin? Perhaps the best way is to mention that an entire book was written (Jack Green, Fire the Bastards, Dalkey Archive Press) excoriating the book reviewing industry for their neglect of Gaddis’ masterpiece “The Recognitions” from when it was first published in 1955 and in subsequent years as it became more well known, providing verbatim quotes from actual reviews and tearing them apart, stating that these proved the authors had either not read it, were making things up, or outright lying, all the while damning it with faint praise or dismissing it as too difficult, too obscure. Difficult it is I will admit, and my initial inclination on my first read (shocked to discover my library actually had a copy of the original edition) was to take copious notes on the encyclopedic references seemingly crammed into each page, but finally abandoned as an impossible task that would preclude my ever finishing the book, deciding instead to lie back and enjoy it. 956 astounding pages and around half a million words later I knew my latest discovery was the most important I’d made in many years and was bursting to tell other people about it. At the time I was working in a library at a small Catholic school, which provided a good opportunity to poll various members of the English Department faculty as they checked out their books. The results were quite surprising as not one had read it and furthermore had not even heard of it. I had just discovered it through a front page article in the New York Times Book Review and assumed most of them must at least have read that but obviously that wasn’t the case. I sang its praises to anyone who would listen, calling it the American Ulysses, describing it as a book about art forgery, music, counterfeiting, gnosticism, and a damning history of the Christian Church set in the East Village of the late forties, with unforgettable characters (I even based a short story on one) and dialogue not set off by quotation marks but rather dashes, and so much more. No one ever got back to me about it. In the meantime I was so besotted by it I was going to undertake the labor of love of tracking down all those references one by one, until I fortuitously discovered that Stephen Moore had recently saved me the trouble with his A Reader’s Guide to William Gaddis’s The Recognitions, which enabled me among other things to immediately track down a Thoreau quote he had used in it that I had despaired of ever finding. Gaddis, who had spent a decade writing it didn’t publish another book for twenty years. In the meantime there were all sorts of rumors as to who he really was, some saying he was actually Thomas Pynchon writing under a pseudonym, their lives were so reclusive there was little to no information about them, and their works so similar in their density and complexity. He gradually gained more recognition, winning two National Book Awards as well as prestigious grants and fellowships but never what he deserved in his lifetime. Here is a link to an award-winning website devoted to him:  http://www.williamgaddis.org/   In spite (or maybe because) of my proselytizing I only know of two other people who have actually read it, but I promise you if you do take the plunge the time spent doing so will be richly rewarded.

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I'm a librarian living near NYC, have had several poems and stories, as well nonfiction published in various ezines. I've finally broken through in print as my novel "Where Do the Children Play?" a story based on true events concerning the kidnapping and drowning of a young boy, was published by Black Rose Writing last October. They are also publishing my second novel, "In Elysian Fields," a love story between a baseball player and a poet, due out July 4 of this year.

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